He’d started out as a brick hod carrier, Frag had, working his way up from the grunt labor of the laden, creaking wooden hod to the old-world artisan status of a bricklayer and along the way, reducing himself in name only to the fractional monosyllable “Frag” as he did. That seemed enough for him, or so he’d said. Because what he did was larger and more weighty than anything he was ever called.
“You, college boy,” he fairly barked in a gravelly smoker’s bass that typically ended in a hawk and a spit. “You ain’t nothing now ‘cept dog-hauling a hod for journeyman Frag.” He liked to refer to himself in the third person, and me as College Boy, reluctant hourly summer help, just some kind of cardboard thin cutout of a not-Frag, not perilously balancing a hod on the fourth floor, open girder structure as he had in an old-world, long lost tradesman reality.
And he was right–about that but even more: soaring buildings took shape on blue-lined white paper derived from computer-assisted draftsmen in thin ties and nine-to-five safety free of an unbalanced hod laden with the real heft of mortar and sand, the reality of what they designed, brought to life by the wiry tough, nut-hard muscle of Frag. And to a lesser degree, gofer College Boy me. Bound to the ground, all of them, till Frag gave them flight, story by grunting story.
The sweat equity, dirty fingernails payout of the endless hods Frags and lesser College Boys wrestled–you didn’t “carry” a hod, you balanced it–commanded the dreamscape of architecture and sweatless design to life on a gruntscape of muscle and brick placed just so, line to certain line, mortar scrape by deft, artistic bricklay and tap, brick by a thousand bricks, up into the sky.
I can never forget the achy weariness of burning college boy sinew, sun-baked of dry labor days and even after work, crazy beer-fueled joyrides balancing atop, for no sensible reason, Frag’s battleship-sized beater Pontiac as he’d fishtail and rage through a dirt-clodded, unpaved construction site. Why? Because Frag was bigger than all that, larger than anything they could design and he could build, that he orchestrated brick by brick with his callused hands and college boy’s dog-like, tongue-hanging dragging labor. Real work is only what you do with your hands, where your bring paper and promise to life. To flight.
Not so labor-coarse are the hands today resting atop the thrust levers harnessing a straining draft horse team bucking fifty-thousand pounds of jet thrust. Stand hard on the brakes and haw the team to roaring life, needing to know, to feel it, read it, personally. Sure, there are a thousand lines of computer code flowing through electric sinews monitoring the ungodly torrent of fire and fuel, metal and power slung under wide swept sleek wings howling against the brakes but no matter: journeyman Frag knows it ain’t right till it feels right, looks true as a plumb line to a tradesman’s eye for “right,” for launching more than a towering design, yet no more than that in the play out of someone else’s grand plan in the sky.
To my right College Boy, jet edition, eyes me warily as I hold it all in my tight-handed, set jaw grasp, squint-eyeing what we’ve built to be sure, to know it’s true. Hah. Stand on the roof, college boy, and hang on. We’re going to fly, make it soar, like never before or again.
Some you’ve read here, many have yet to appear and the last essay, unpublished and several years in the writing, I consider to be my best writing effort yet.
Own a piece of JetHead, from Amazon Books and also on Kindle.